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As circumstances push several characters hollywood to their breaking points, the film sets up anxious, potentially explosive situations that could go a number of different ways, then makes us squirm while they develop. There's surprising hollywood tension and even moments of real elation. Few situations turn out the way we're set up to expect; one life is saved due to a character's bad intentions while another is lost because of good ones; though some "surprise" reversals are telegraphed too far in advance. While Haggis' writing lacks subtlety, he's a great actors' hollywood director. The performances are uniformly excellent, and there are surprises from some of the most familiar cast members. Phillippe, though cast predictably as the idealistic male ingenue, delivers an unusually grounded, unmannered performance. Bullock, who is so associated with her comedic roles that we may underrate her dramatic skills, has a smart, impassioned monologue that starts with her anger at the men who carjacked her and those around her who've let her down but winds up being about her constant, low-simmering rage; it suggests that rather than being the proximate cause of her fury, the black and Latino characters she lashes out at are merely handy targets for her unacknowledged dissatisfaction with her own life.
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