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L: (Laughs hysterically) K: No one will be able to tell it apart. They'll say "I think that's some early 21st century digital art! It's beautiful! I'm going to hang it on my wall." And I don't offer this up as a defense of the horrible quality of work we present in ArtLexis, because of course I think that the work in ArtLexis is very beautiful and we deliberately eschew work that we find ugly. jon stafford But I offer this up more in the sense of admitting to jon stafford myself publicly, in a curatorial capacity, that ultimately there are no grounds, no firm grounds, on which I can base any of those decisions - they are being made in the full realization that they are completely temporary, contingent and subjective. L: I anxiously await to see in which context all that horrific installation art in this year's Whitney Biennial becomes beautiful.
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